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Choreographic Politics: State Folk Companies, Representation and Power de Anthony Shay

Descripción - Críticas 'This study of the politics of representation and authentication among state-sponsored or state-assisted 'folk ensembles' shows that dance is a culturally significant social phenomenaValuable for anyone teaching a course on dance ethnology, the anthropology of art or aesthetics.'--James LaVita, Professor, University of Denver Reseña del editor Over the past fifty years national dance companies from Turkey, Egypt, Mexico, Greece, the former USSR and Croatia have dominated concert stages throughout the world. Anthony Shay makes coherent sense of these national programs, which have previously received scant academic attention. Specifically, he looks at the ways through which these companies spread political, ethnic and cultural messages by accruing symbolic and cultural capital for their respective nation-states. In his analysis, Shay draws on cultural studies, political science and anthropology to create a work that cuts across disciplines. As the first book to address the topic of state-sponsored folk dance ensembles and their structures, Choreographic Politics examines the repertoires, performances and choreographic strategies of these companies within the political, social, gendered and ethnic contexts in which each company was created. In addition, Shay's study includes a look at music, costumes, and various artistic directors and choreographers.

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Google libros haz búsquedas en el mayor catálogo de libros completos del mundo mi colección editores información privacidad términos ayuda información privacidad términos ayuda Coloquio por el centenario de amalia hernández prensa por su parte, josé luis martínez, hijo de la coreógrafa, hizo referencia al libro choreographic politics state folk dance companies, representation, and power de anthony shay, estudio donde se reconoce al ballet como una de las dos más significativas y venerables compañías nacionales de danza folklórica en el mundo y a ella, como una de las más influyentes coreógrafas del siglo xx Choreographic politics state folk dance companies choreographic politics state folk dance companies, representation and power, by anthony shay middletown, connecticut wesleyan university press, 2002 249 pages, bibliography us1995 paper isbn 0819565210 volume 37 issue 2 martin stokes

Detalles del Libro

• Name: Choreographic Politics: State Folk Companies, Representation and Power
  
• Autor: Anthony Shay
  
• Categoria: Libros,Arte, cine y fotografía,Artes escénicas
  
• Tamaño del archivo: 13 MB
  
• Tipos de archivo: PDF Document
  
• Idioma: Español
  
• Archivos de estado: AVAILABLE
  

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Choreographic politics state folk dance companies choreographic politics state folk dance companies, representation, and power shay, anthony on free shipping on qualifying offers choreographic politics state folk dance companies, representation, and power Review of choreographic politics state folk dance for this welcome addition to the literature on folk dance ensembles shay also author of choreophobia solo improvised dance in the iranian world, 1999 draws on his 40plusyear association as choreographer, performer, and researcher working with such groups using studies of six state folk dance ensembles, the author analyzes how performances reveal issues of representation Genial ebooks download free pdf amp epub books amazing selection of modern and classic books in a wide range of literary genres available in digital pdf and epub format for free download

Choreographic politics state folk dance companies get this from a library choreographic politics state folk dance companies, representation, and power anthony shay Academiaedu about academiaedu is a place to share and follow research Review of choreographing identities folk dance with this book shay extends his two previous works on folk dance, choreophobia solo improvised dance in the iranian world 1999 and choreographic politics state folk dance companies, representation, and power ch, jan03, 402710 drawing on some 40 years of experience as performer, choreographer, and producer of folk ensembles in the us, the author reviews key north american folkdance